The unique feature of the historic inner city of Paramaribo (Unesco World Heritage)   is the simplicity and uniformity of its very symmetrical architecture.   This is the result of building with wood, the most prominent natural,   local product, in a relatively isolated area. It is not architecture of   renowned architects, but one of craftsmen. These builders had no other   architecturally interesting cities in the area where they could pick up   new ideas. That is why there are so few grand building monuments in   Paramaribo. That is not such a pity; the unique characteristic of the   city actually is the unity that is shaped by rhythm of the simple   buildings. 
                  	Wooden buildings
                  	Due to the rapid expansion in the past, the inner city is mainly   built in wood. Brick was not only expensive, building in brick was   slower and probably the factory could not keep up with the orders. In   addition to bricks, these works also had to manufacture flat tiles and   pan tiles for the roofing. The knowledge of building in wood was brought   to the country by carpenters working on board the ships that came to   Suriname and by migrants from the Moravian Church who settled in   Suriname. 
                  	At first sight there seems to be a wide variety of wooden houses in   the inner city.  But upon closer examination there are fixed values and   just a few standard profiles to be distinguished.  The Surinamese wooden   houses have a conveniently arranged rectangular pattern as a base.   Brick stoops lead to a symmetrical façade of white, horizontal boards.   The high roofs with one or more dormers face the street.  The doors, shutters and louvers are painted in serene dark green colors. 
               	
				 
             
             	
                
              	 	Symmetry  in the lines
                  	Most houses have a brick foundation on top of which a wall is laid   that is some layers of dark (red) painted brick high or short base   blocks made in brick. They support the floor beams, aided by a base   block in the center. The bottom board was always profiled in earlier   days: every carpenter had his own profiles and could in that way give   his own signature to the building. 
                  	The symmetry that is used enhances the harmonious atmosphere that   emanates from the buildings.  This symmetry usually starts with a double   door in the axis of the facade, with an equal number of bays to   both sides that have windows with shutters. The symmetry is repeated in   the upper floors, where the bays are only marked by sliding windows,   louvers or wooden shutters.
                  	The high roofs contribute to an aura of distinction. The roofing   materials used in the first centuries required a steep slope: pinna   leaves, wooden shingles, slate, pan tiles and various types of flat   tiles.  Only with the introduction of the galvanized zinc roof around   1870 it became possible to construct flatter roofs.  This led to a   different construction used every now and then: a rectangular facade   behind which a roof slightly sloped to the rear.  The impression though,   was that of a flat roof, Today, most roofing is replaced by galvanized   corrugated iron.
                  	Colonnade  porticos,   an influence from the south-eastern states of North America, and   balconies are other characteristics of the Surinamese architecture   style, although the first balconies only appear in the middle of the   19th century.  Before 1850 only small balconies the size of a window or   door are seen. Larger balconies were probably built as a sign of   prosperity. 
              
                 
                        	
           	  	
                
                
              	 	Details
                  	It was mainly during the time that the houses were extended with   status-enhancing balconies, that the ornaments were introduced. In the   details the craftsman could give a house his own touch.  In the brick stoops, the stone bases, the panel doors and door frames, the  consoles of   the profiled balcony posts, the balustrades of the balconies.  Less   often one can find columns with capitals, arches between the posts and   decorated  pediments. 
               
                 
                
                  
                  
				
                
                
                
              
                 
            
            	By Walther Tjon Pian Gi/Creative consultant/owner Nyukwha
            	
As a theatre performer and activist in the field of culture and   media Walther is particularly interested in the way people incorporate   arts, culture and religion in their daily lives. Living in different   places and travelling (live or from his armchair) teaches him a lot.   Walther shares his experiences and reflections through stories and   pictures which he then publishes on his blogs www.cityofparamaribo.nl and www.travelpod.com/s/trips/nyukwha. Read  more
            	Pictures: Nyukwha
            	
            	
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